Topic: Musicians Coffee House... Mingle Jam | |
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Here's my kit:
Guitars- Gibson Les Paul Custom Black Beauty (70s) Martin D16GT acoustic Amps- Vox AC30 2x12 Fender Champ 5w Tube Bunch of analog stompboxes Bass Schecter 5-string Keyboard/Synth/Piano- Small upright piano 88key weighted midi controller Smaller non-weighted midi controller Roland XV3080 sound module Every soft-synth/sampler known to man Extensive sound libraries Drums- DW mahogany kit Pearl birch kit Studio Motu 896 soundcard Dozen or so top notch mics (stereo pair of AKG C414-tl2s) Cubase & every good VST plugin Various rack gear (compressors/pres, headphones, etc.) Event PS8 studio monitors Two track reel to reel I pretty much have everything I need. Would like to upgrade some of it but limited funds nowadays. |
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Nice setup and choices hawaii. Like the stereo akgs, roland xv 3080, and that vox ac 30. The ac 30 is on my wish list. Gotta find the right one.
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Mine's the PCB reissue but still gets great tone. I use a weber attenuator to crank it without shattering the windows!
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I have that jackson RR1 that's custom made for me with solid ebony fretboard no inlays or markers, floyd rose, duncans, and built in roland GR 30 guitar synth. It has 480 instruments programmed into it but I have yet to hook it to other modules. Call me lazy I guess. I will get around to it one day. Having too much fun playing grand piano on guitar. Its cool with 24 frets- I got a 126 key piano at my fingertips.
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Mine's the PCB reissue but still gets great tone. I use a weber attenuator to crank it without shattering the windows! |
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sounds like a sweet ax you got there!
My next electric will have a floyd rose. Never had a synth guitar but I'm sure it'd be a blast! |
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Mine's the PCB reissue but still gets great tone. I use a weber attenuator to crank it without shattering the windows! Yea It needs to be retubed, just haven't got around to ordering them yet. |
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Oh and if you're a gearhead and have lots of gear- insure your gear with high quality surge protectors and lightning protectors. I have 7 of them. Great investment. My dual juice goose saved my gear from a lightning strike once. Direct hit. Lightbulbs popped, coffeemaker exploded. Cooked ground wiring. But protectors saved the studio gear. Yay!
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Edited by
TelephoneMan
on
Tue 11/25/08 12:23 AM
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Check this out.
I just uploaded my very first YouTube video. http://www.youtube.com/watch?v=jZA4KUbdmbI A little something with me playing the Native American Flute and singing. I downloaded the pictures somewhere off the Internet (I have no idea where, I've had them for years) I created this using the Windows Movie maker program. On there, click "more info" for a little story about the song. Jam Handy (my stage name) |
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Hey guys! Newbie guitar player here. I'm picking it up mid-life sort of like a guy buying a motorcycle.. I'm bored, they're cool, and I should have done it a long time ago. I'll be reading, trying to learn a thing or two.
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Got room for a Mandolin player? Celebrity by ovation electric/acoustic mandolin w/musicman 60watt amp
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We have room for everyone. We don't discriminate.
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My new quest for tone is to find the perfect compressor "stomp box". There are so many out there. I don't use effects but I used to have a nady compressor that was quite powerful. Had an old ADA that was quite bright too. Many stompbox compressors color the sound too much. And rack mounted compressors cut too many frequencies out. I may just have to build my own stompbox compressor. There are many great kits out there with incredible tone. All you need is a little mechanical aptitude and a soldering iron. Plus you get the pride of saying- "I built that little f*cker". And you save quite a bit on marked up prices. I'm going to BYOB.com to get my compressor. Definitely let everyone know how it pans out.
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My new quest for tone is to find the perfect compressor "stomp box". There are so many out there. I don't use effects but I used to have a nady compressor that was quite powerful. Had an old ADA that was quite bright too. Many stompbox compressors color the sound too much. And rack mounted compressors cut too many frequencies out. I may just have to build my own stompbox compressor. There are many great kits out there with incredible tone. All you need is a little mechanical aptitude and a soldering iron. Plus you get the pride of saying- "I built that little f*cker". And you save quite a bit on marked up prices. I'm going to BYOB.com to get my compressor. Definitely let everyone know how it pans out. That would be interesting to find out. Back in the day, I had an MXR Limiter. One of the four-knob, AC-powered MXRs that came in in the early 1980s. It had some nice features, especially in the realm of being able to add tons of sustain. But, like many stomp boxes, it was rather noisy. The Keeley Compressor seems to get a lot of publicity... I haven't owned one, but that name seems to come up every time someone is talking stomp box compressors. Keeley compressor link: http://www.robertkeeley.com/product.php?id=8 ****************** Note: For anybody out there reading that doesn't know the jargon, a "stomp box" is a small foot pedal used with an electric guitar that is generally patched in between the guitar and the amplifier that adds something to the electronic signal to modify the sound. A stomp box usually has a foot-pressable switch on it that the user clicks on or off with the foot, thus "stomping" on the pedal, thus the name "stomp box." Stomp boxes can increase the volume of the instrument with the click of that foot switch, or change the tone, or add distrotion, or create reverb or delay, or create a rotating simulation effect, or dozens of other things. Or, a guitar player might just "plug in straight" which means there are no stomp boxes on the floor between the guitar and the amplifier... which allows the amplifier to process the purest signal from the electric guitar. Weeeeeeeee.... this is fun.... |
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We have room for everyone. We don't discriminate. Amen... ...everyone is welcome here, including singers (who might not have tons of gear, etc...) (which I didn't think to add to the OP post) and anybody who just wants to chime in on the topic of being a musician. |
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Oh and if you're a gearhead and have lots of gear- insure your gear with high quality surge protectors and lightning protectors. I have 7 of them. Great investment. My dual juice goose saved my gear from a lightning strike once. Direct hit. Lightbulbs popped, coffeemaker exploded. Cooked ground wiring. But protectors saved the studio gear. Yay! Speaking of power supplies and such... ...I have a Voodoo Labs Pedal Power unit that is an 8-way battery eliminator for up to 8 stomp boxes. What I like about it is that it supplies very pure, clean power to the pedals. The one pedal I was most amazed with (as far as these "clean" results) was my original Thomas Organ Cry Baby Wah-Wah. By plugging it in to the pedal power unit, it gave the cry baby more balls, and a better sweep, and this solid tone... The Pedal Power also works with just about any kind of 9-volt stomp box. It comes with an array of different connector cables to add to the possibilities, plus extra cables can be ordered pretty cheap directly from Voodoo Lab, so it is possible to mount them into a more permanent pedal board situation, and still be able to use the pedal power by itself say in the studio, or on more than one pedal board if you have two for separate reasons, etc... |
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Wow Jim that really good music. Thanks for sharing it with us..Hope ya still playing like that.
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This is a (as I have explained to people) ... a "BETA" edition of a pedalboard that I constructed years ago. It did actually all work, and it was actually remarkable very quiet. I think the noise level had a lot to do with using two of the Voodoo Lab Pedal Power units |
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Looks like a big mess, and for the most part it was... LOL
I just sort of made a "Frankenstein" project... Never used this on stage or anywhere else... ...it became sort of a joke after a while |
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Edited by
TelephoneMan
on
Tue 11/25/08 01:33 PM
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To get my dream sound took a lot of years and a lot of gear. And a lot of money. Always been a marshall man. Owned everything from twin 800s to marshall majors. To get my sound I had to have the right guitar. I've always been amored with gibson flying vs. Owned many of them. I had a slime green one I sold to lenny kravitz. Had a white swampash 83 that I sold to rudy schenker. He sold me a black one. I was playing my les paul with a floyd rose and out of phase switching like jimmy pages for a few years and was looking for another flying v. It came to me on easter sunday 1998 as I was buying strings at a guitar center. An elderly gentleman came into the store with that unique shaped guitar case. I walked over and struck up conversation. He opened up the case and it was an old korina gibson flying v. Said he wanted to sell it and his fingers don't work like they used to and that he just wanted it to go to a good home. I told him I always wanted an old korina wood flying v but could never afford one. I asked him how much he wanted for it knowing it was at the time a $20,000 collectors piece. He said "How much you give me for it?". I told him "Its easter sunday and the banks are closed. All I have in my pocket right now is a thousand bucks. I can give you that and more when the banks open". He says "I will sell it to you for a thousand dollars". I almost broke my arm handing him the cash but completely dumbfounded at the same time. The old man looked at my confused look and once again said "I just want it to have a good home". I said "I promise you it will have a good home". Found out it was one of the last 1958 flying vs made. Been appraised twice. 3rd rarest guitar in the world for collectors. It f*cking screams like no other guitar I've ever owned. I've had ridiculous offers to buy it. I was at the eric clapton auction for charity and was offered 3 of claptons guitars including his mint 61 gibson walnut sg in trade and refused. I'm going to keep my promise to that old man and give that guitar a good home. As an addendum my grandfather passed away 2 years ago. He played lap steel. He left me his 1958 gibson lap steel and a collection of slides. I miss him. Just got around to reading this, man,... that was a cool read. I like flying Vs, too. For a while Gibson came out with a "Voodo V" that had an ash body. After plugging it into a Marshal half-stack, I had to bring it home. It was a rocking monster I had to sell it when I got into a bind for cash but I want another one... the ash just kills for tone on that combo of wood/electronics, etc One of my favorites right now is a 3-PUP Reverend (brand) Warhawk 390. It has 3 P-90 style pickups, and is made out of Korina wood... tone to hell and back: Mine is red just like the one pictured here. I teach guitar lessons, and this is the one my students always see me playing, they often ask me why... I just say "I love this damned guitar" It has a soul |
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