PREFACE: Aesop's Fables
THE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction. Each is distinguished by its own special characteristics. The Tale consists simply in the narration of a story either founded on facts, or created solely by the imagination, and not necessarily associated with the teaching of any moral lesson. The Parable is the designed use of language purposely intended to convey a hidden and secret meaning other than that contained in the words themselves; and which may or may not bear a special reference to the hearer, or reader. The Fable partly agrees with, and partly differs from both of these. It will contain, like the Tale, a short but real narrative; it will seek, like the Parable, to convey a hidden meaning, and that not so much by the use of language, as by the skilful introduction of fictitious characters; and yet unlike to either Tale or Parable, it will ever keep in view, as its high prerogative, and inseparable attribute, the great purpose of instruction, and will necessarily seek to inculcate some moral maxim, social duty, or political truth. The true Fable, if it rise to its high requirements, ever aims at one great end and purpose representation of human motive, and the improvement of human conduct, and yet it so conceals its design under the disguise of fictitious characters, by clothing with speech the animals of the field, the birds of the air, the trees of the wood, or the beasts of the forest, that the reader shall receive advice without perceiving the presence of the adviser. Thus the superiority of the counsellor, which often renders counsel unpalatable, is kept out of view, and the lesson comes with the greater acceptance when the reader is led, unconsciously to himself, to have his sympathies enlisted in behalf of what is pure, honorable, and praiseworthy, and to have his indignation excited against what is low, ignoble, and unworthy. The true fabulist, therefore, discharges a most important function. He is neither a narrator, nor an allegorist. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue. In this consists the superiority of the Fable over the Tale or the Parable. The fabulist is to create a laugh, but yet, under a merry guise, to convey instruction. Phaedrus, the great imitator of Aesop, plainly indicates this double purpose to be the true office of the writer of fables.

Do you thik there is such thing as a true fable or do you think that is a contradiction in terms?

I can't believe I just read that whole thing

Whew

The greatest advance, however, towards a re-introduction of the Fables of Aesop to a place in the literature of the world, was made in the early part of the seventeenth century. In the year 1610, a learned Swiss, Isaac Nicholas Nevelet, sent forth the third printed edition of these fables, in a work entitled "Mythologia Aesopica." This was a noble effort to do honor to the great fabulist, and was the most perfect collection of Aesopian fables ever yet published. It consisted, in addition to the collection of fables given by Planudes and reprinted in the various earlier editions, of one hundred and thirty-six new fables (never before published) from MSS. in the Library of the Vatican, of forty fables attributed to Aphthonius, and of forty-three from Babrias. It also contained the Latin versions of the same fables by Phaedrus, Avienus, and other authors. This volume of Nevelet forms a complete "Corpus Fabularum Aesopicarum;" and to his labors Aesop owes his restoration to universal favor as one of the wise moralists and great teachers of mankind. During the interval of three centuries which has elapsed since the publication of this volume of Nevelet's, no book, with the exception of the Holy Scriptures, has had a wider circulation than Aesop's Fables. They have been translated into the greater number of the languages both of Europe and of the East, and have been read, and will be read, for generations, alike by Jew, Heathen, Mohammedan, and Christian. They are, at the present time, not only engrafted into the literature of the civilized world, but are familiar as household words in the common intercourse and daily conversation of the inhabitants of all countries.

Sorry, yeah, I know its long.

In regard to your initial post on whether a true fable actually exists, I believe one would need to apply Computational Complexity Theory. Of course the subject of the fable would have to be around to respond. A fable by its very nature could be construed as theological. Because we are attempting to prove or disprove the fable, we are dealing with hypothetical beings and quantitative theology. Apply the same test as one would to String Theory.
Computational Complexity in this case would be applied by asking the subject of the fable or the fabulist a series of random questions until logic proves or disproves.

If the fable is never questioned it will go on remaining as it is for all eternity.

I've only had 1 cup of coffee, but that's my thoughts on finding truth in a modern fable.

Interesting post with great references, Hillfolk. +5

Oh ok. Hope you got a chance to get some coffee. I got some tea. Here is one. In reading them which I got from Literature.org I am finding them to be delightful.

Fables - Translated by George Fyler Townsend
Aesop
The Wolf And The Lamb

WOLF, meeting with a Lamb astray from the fold, resolved not to lay violent hands on him, but to find some plea to justify to the Lamb the Wolf's right to eat him. He thus addressed him: "Sirrah, last year you grossly insulted me." "Indeed," bleated the Lamb in a mournful tone of voice, "I was not then born." Then said the Wolf, "You feed in my pasture." "No, good sir," replied the Lamb, "I have not yet tasted grass." Again said the Wolf, "You drink of my well." "No," exclaimed the Lamb, "I never yet drank water, for as yet my mother's milk is both food and drink to me." Upon which the Wolf seized him and ate him up, saying, "Well! I won't remain supperless, even though you refute every one of my imputations." The tyrant will always find a pretext for his tyranny.

I think he is an interesting person.

Aesop (also spelled Æsop, from the Greek Αἴσωπος—Aisōpos), known only for the genre of fables ascribed to him, was by tradition a slave (δούλος) who was a contemporary of Croesus and Peisistratus in the mid-sixth century BC in ancient Greece. The various collections that go under the rubric "Aesop's Fables" are still taught as moral lessons and used as subjects for various entertainments, especially children's plays and cartoons. Most of what are known as Aesopic fables is a compilation of tales from various sources, many of which originated with authors who lived long before Aesop. Aesop himself is said to have composed many fables, which were passed down by oral tradition. Socrates was thought to have spent his time turning Aesop’s fables into verse while he was in prison. Demetrius Phalereus, another Greek philosopher, made the first collection of these fables around 300 BC. This was later translated into Latin by Phaedrus, a slave himself, around 25 BC. The fables from these two collections were soon brought together and were eventually retranslated into Greek by Babrius around A.D. 230. Many additional fables were included, and the collection was in turn translated to Arabic and Hebrew, further enriched by additional fables from these cultures.

The place of Aesop's birth was and still is disputed: Thrace, Phrygia, Egypt, Ethiopia, Samos, Athens, Sardis and Amorium all claimed the honour. It has been argued by modern writers that he may have been of African origin: the scholar Richard Lobban has argued that his name is likely derived from "Aethiopian", a word used by the Greeks to refer mostly to dark skinned people of the African interior. He continues by pointing out that the stories are populated by animals present in Africa, many of the creatures being quite foreign to Greece and Europe.[1]

The life of Aesop himself is shrouded in obscurity. He is said to have lived as a slave in Samos around 550 B.C. An ancient account of his life is found in The book of Xanthus the Philosopher and His Slave Aesop. According to the sparse information gathered about him from references to him in several Greek works (he was mentioned by Aristophanes, Plato, Xenophon and Aristotle), Aesop was a slave for someone called Xanthus (Ξανθος), who resided on the island of Samos. Aesop must have been freed, for he conducted the public defence of a certain Samian demagogue (Aristotle, Rhetoric, ii. 20). He subsequently lived at the court of Croesus, where he met Solon, and dined in the company of the Seven Sages of Greece with Periander at Corinth. During the reign of Peisistratus he was said to have visited Athens, where he told the fable of The Frogs Who Desired a King to dissuade the citizens from attempting to depose Peisistratus for another ruler. A contrary story, however, said that Aesop spoke up for the common people against tyranny through his fables, which incensed Peisistratus, who was against free speech.

According to the historian Herodotus, Aesop met with a violent death at the hands of the inhabitants of Delphi, though the cause was not stated. Various suggestions were made by later writers, such as his insulting sarcasms, the embezzlement of money entrusted to him by Croesus for distribution at Delphi, and his alleged sacrilege of a silver cup. A pestilence that ensued was blamed on his execution, and the Delphians declared their willingness to make compensation, which, in default of a nearer connection, was claimed by Iadmon (Ιάδμων), grandson of Aesop's former master.

Popular stories surrounding Aesop were assembled in a vita prefixed to a collection of fables under his name, compiled by Maximus Planudes, a fourteenth-century monk. He was by tradition extremely ugly and deformed, which is the sole basis for making a grotesque marble figure in the Villa Albani, Rome, a "portrait of Aesop". This biography had actually existed a century before Planudes. It appeared in a thirteenth century manuscript found in Florence. However, according to another Greek historian Plutarch's account of the symposium of the Seven Sages, at which Aesop was a guest, there were many jests on his former servile status, but nothing derogatory was said about his personal appearance. Aesop's deformity was further disputed by the Athenians, who erected in his honour a noble statue by the sculptor Lysippus. Some suppose the sura, or "chapter," in the Qur'an titled Luqman to be referring to Aesop, a well-known figure in Arabia during the time of Muhammad.

Aesop was also briefly mentioned in the classic Egyptian myth, "The Girl and the Rose-Red Slippers", considered by many to be history's first Cinderella story. In the myth, the freed slave Rhodopis mentions that a slave named Aesop told her many entrancing stories and fables while they were slaves on the island of Samos. Aesop died afterward by execution.